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Awesome!

This can be a reality show ala Iron Chef but for DP's

I'm sure if you take more time you can really get super close to the ALEXA look. The GH7 seems more contrasty, has definitely a magenta cast (well known from Panasonic sensor) and is really more saturated. For sure, if you dial back the saturation, shift towards green, decrease the contrast and add a bit of glow to soften the image a bit, you are in the ALEXA ballpark for sure. Great to see a real life situation instead of just someone filming a color chart in their backyard, haha! Finally, this is great that you said that it is a very good (and cheap!) alternative when you need a B or C cam on shoot to pair with an ALEXA if you don't have the budget. I thought Micro Four Third was dead but this video just proved me wrong.

Personally, the only sun shots look way better. IMO, the final shot looks super unnatural to be an outdoor day shot. She is far too separated from the background, almost lit as if she was in the shade, but there is no element in the framing of the shot to suggest she is in the shade. Also the light hitting her hair is coming from the opposite direction of the motivated sunlight adding to the unnatural feel of the shot. This could be nice for a pharmaceutical commercial I guess, but if you're going for a cinematic look, this is a big miss. That being said, Brady does lots of great lighting work, both inside and out (especially at night) and I have gotten plenty of great tips from him. No one gets it right 100% of the time. Also, he is working with some bare bones equipment here. If he broke out his lights and anything else he deemed necessary for a big shoot, I'd image the final image would be way better.

That was fun. Like a reality show!

Beast mode !

hahah, that was a cool challenge! Well done, Brady!

So good!! where can we watch the other episodes/dp try on your challenge?

Nice

Wooow... to achieve Cinematic isn't easy on the set

A new Bessette video. I like it

That's crazy work ngl

Black fingernails, that you have, are a sign of the Illuminati and the occult. I will never watch your content again.

How come your light is falling only on to the subject and not on the background? I have tried this and the greatest challenge for me is the light fills all over the place including the background and sides too. In many horror films I have seen that the light only illuminates the character and the background is very dark. Can you please explain or make a seperate tutorial on this?

Thank you the helpful video. You could also use Velcro with glue on the back of it. Can you tell us about the stand. Where did you buy that?

What's the movie you were shooting - looks good.

Maybe it’s just my personal impression, but the dramatic color palette is what actually makes this footage somewhat watchable. Sorry, I’m not trying to be a hater or anything. Your video popped up in my feed and I watched it. I feel like there is a lack of purpose-what’s the story behind it? It’s not fair to say gear doesn’t matter and make a video without meaning. I feel like I need to watch more of your stuff because I’m sure you know what you’re doing.

The GH7 matches impressively close to the Alexa... it's really an amazing value camera. Footage overall has a bit more of a digital look to it, which is expected, the Alexa sensor will always be more organic and softer than basically all mirrorless sensors. But when cutting the footage together with a proper color grade and watching the final product, no one will ever tell or care about the differences between the two cameras.

Hey Brady. I’ve been struggling with interiors lately. So my camera doesn’t let me manually dial in what color temperature I want or cant even give it a bump up in warmth or coolness. I can only rely on using a white card. My room for example has tungsten lighting but the windows are daylight. So when I white balance to the tungsten the windows get too blue and my room gets too white when it’s suppose to be a little warm looking. And when I balance to the windows then my windows are white but my rooms tungsten light is way too warm and orange. When I white balance to both of them hitting the same white card I actually get a more accurate reading but I still don’t exactly know why that is and I’m confused on this. I’m basically just winging it. Can you help me understand how to white balance in camera when working with mixed lighting in this case a tungsten source and a daylight source being my windows and getting the correct color from them? Thank you for all your videos

Great work - always appreciate insights from actual creators that have real world experiences!

Holy shit this is goldddd

Love your nails bro! Seems like you’re in Cali or Vegas so I’m sure you don’t get too many looks but I’m in Nashville, TN and I painted my nails for months and so many people looked at me like wft is that. Also had people I know asked me why I would do that. 😂 Your content is dope!

It’s really nice to see a true filmmaker making a video like this! Thanks!

In my opinion the before is more better than after because the after looks flat it doesn't have shadow it doesn't look real so

Great video! Loved all the info. Would like to see a second part video of the setups, when you pushed in for close-ups. Thanks for sharing.

I’m really hoping they bring some of the GH7 features to a full-frame sensor soon. Technically it’s such an amazing little camera and all the haters would be silenced if the sensor were larger. 😂 Great to hear your practical thoughts from use in the field, keep up the good work!

Is she lost? Is she drunk? Did she escape an abusive relationship? Didnt really make sense

Had to check out once I saw the black finger nail polish. From black magic pocket 4K to black finger nails? Ooph they got you bro, big L.

crop factor for effectively longer lenses is 100% a valid point to like. I will use my GH6 for wildlife shots all day long over a LF camera, because I can get the same reach with half the lens size (and cost).

This is what I value. Real practical use. Not renting the camera and filming your cat or backyard and making a review. Thanks

No mean to be harsh but this particular shot on iPhone film looks interesting only within the context of this video. It doesn't have any interesting story or plot twist or anything that actually makes the film interesting so if this film was uploaded alone as it is, it is not going to be so interesting. In another words, budget does matter for good script writing, copy writing and narrative. Budget is not only about the shooting itself.

second day in this channel and really love it ! Subscribed <3

GH7 looks sharper. Did you reduce sharpness on profile settings ?

Love your video! It’s super helpful!! Do you use a gimbal ?

Greetings I'm Esteban from Puerto Rico I ask how he did the color correction in davinchi resolve and what codec he used when recording ProRes RAW?????

8:27 that escalator shot with the color grading is just chef's kiss. it looks like it came from a movie

I got the original s5 and the s5II ... Amazing colors, and the V-Log it's amazing, this gh7 seems to be really great! I coming from the 6DII from canon, really big differences!

The cult of having a 50 pound camera with 10 thousand accessories and team to build it is breaking. Thank god. I'm done sacrificing my body when I can shoot with small cameras and get the same image. Use a speedbooster crop factor is a non issue then.

BTW - PUA Mystery’s FINGERS?!?! Okay 😂😂😂

Yes thank you for the comparison, hopefully when your projects release you'll revisit and give us more details. I have a gh7 on preorder and think I'll keep it and definitely plan to get the arri log, given that other folks out there sell ARRI simulating luts for these camera, having something actually certified by arri is icing!

Lumix S5ii user here, you’re not wrong about the magenta shift! Always have to shift my image away from magenta when color matching to other cameras such as the fx3!

If you grade your footage you see that the GH7 does not compare to Arri or Red. Remember post flexibility is a form of insurance.

Throw on a PL speed booster and the GH7 is god tier. With 0.71x speed booster, you get an FOV slightly wider than super 35, plus you gain a stop of light. Not to mention all the PL lenses you get access to.

LUMIX seems to be taking their main camera (S5iiX) and taking pieces away and replacing them with a gimmick like downloadable LUTs or ARRI log C3. It bothers me that people are falling for this. Putting Rosso Corsa paint on a chevy doesn't make it a Ferrari. A tiny, overpriced hybrid camera body with horrible dynamic range that uses tiny lenses cannot ever match a $100,000 cinema camera. Anyone pretending it can is crazy or trying to sell you a GH7. Also... what's the use case here? Somebody that owns both an ARRI and a gh7? Who does that? That's absurd. It's a useless feature that everyone is going on and on about.

Sooo, instead of renting an Alexa, just buy a GH7 with a couple more lights. Got it! 😆

Very cool!

Non-technical reviews are the best reviews. Pixel peeping is just silly, what matters is the end product and what people see on screen.

That footage looks fire!!!🔥

Share your thoughts... How do you feel about utilizing as a B-Cam to the Arri a BM 6k FF or Ursa Mini Pro 12k? Arri Alexa 35 (Ursa 12k Oplf) Arri Alexa Mini (BM 6k FF) & when released of course the new Ursa Cine 12k FF

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